New Uses of New Spaces at Minneapolis’ Westminster Presbyterian Church   

The previous post covered the joyous celebration of the new addition at Westminster Presbyterian Church on Martin Luther King, Jr. Sunday, January 14, 2018. Now we examine how that new space will be used after looking at these photographs of the new addition (the last two show a 21st century version of stained glass windows provided by a film application from 3M).

The Westminster Counseling Center— which the church has long supported with funding, office space and administrative support — has new offices on the second floor of the new expansion to provide counseling by licensed psychotherapists, welcoming people of all faiths or none at all to seek counseling and mental health services in an open and welcoming environment. Such services are provided on a sliding-fee scale to ensure  high-quality counseling to those who could not otherwise afford it, no matter their circumstances.

The expansion will also soon house the Harman Center for Child & Family Wellbeing, a new and innovative early intervention clinic of St. David’s Center–Child & Family Development.[1] The Harman Center will occupy approximately 8,000 square feet of space on the second floor, and will primarily serve children from birth to age five who have experienced relational trauma. Services will include an infant team to assess and treat families with children in out-of-home placement, children’s mental health services and pediatric rehabilitative therapies, a clinical training site for graduate students in mental health, and a new home for the Center’s day-treatment program for young Somali children diagnosed with autism. A private space for Islamic prayer will be provided.

The new Recreation Room and adjacent Youth Room offer open, youth-friendly places for Westminster’s young people as well as youth groups from all over the country who often need a place to connect and stay.

In partnership with Hennepin County Library, Westminster will host an onsite senior community center two days per week to respond to the needs of the downtown seniors dispersed by the recent closures of two senior centers in the area. The church also will be providing a safe space for homeless people to store their belongings.

Westminster is planning two new worship services for Westminster Hall: starting February 14, a 6:30 p.m. Wednesday contemplative service called “The Clearing,” and in September, a 5:00 p.m. Sunday service.

There also are these upcoming inaugural events.

January 28 (2:00 p.m.)  Bold Hope in the North. This free and open-to-the-public event is co-sponsored by Downtown Congregations to End Homelessness  and the Super Bowl Host Committee.  100% of the free-will donations at the event will go to the highly effective Emergency Rental Assistance Program (80% of families who received this assistance have remained housed after six months). The program will be emceed by Minneapolis Mayor Jacob Frey  and  joined by senior clergy from the downtown congregations (Christian, Jewish and Muslim) and two former NFL Vikings stars: punter Greg Coleman and defensive end Mark Mullaney. Music will be provided by J.D. and Fred Steele, Amwaaj Middle Eastern Ensemble, MacPhail Community Youth Choir, Mill City Singers, Spoken- word teen artist Kaaha Kaahiye and Klezmer Cabaret Orchestra. Following the program, attendees will enjoy delicious food from Holy Land Market and assemble dignity bags for people who are homeless (consisting of hygiene products, socks, hand warmers, food, etc.).

February 25 (4:00 p.m.) Annual Youth Coffeehouse Cabaret will be presented by the church’s youth to showcase their talents through individual and group performances and a skit comedy.

March 2 (7:30 p.m.)Cantus, a male chamber a cappella ensemble that has an office and practice space at Westminster, will present the inaugural concert in Westminster Hall, a photograph of which is below. Additional details to be announced.

March 3 (10:30 a.m.—12:30 p.m.). Community Open House and Justice Choir Sing-Along. Tesfa Wondemagegnehu, Westminster’s Director, Choral Ministries, will lead all in the sing-along.

April 17. Harman Center Grand Opening with two events: over the lunch hour will be dedicated to the downtown business community and in the afternoon the broader community will be involved. More details will be forthcoming on its website: https://www.stdavidscenter.org/.

May 5 (5:00 p.m.-8:30 p.m.). Celebration of Open Doors/Open Future Campaign. Worship in the sanctuary to recognize the generosity of the congregation and leaders in the Open Doors Open Futures project. Vice President Walter Mondale, a Westminster member, will be a speaker, as well as several youth and the campaign co-chairs. Afterwards games and activities on both Nicollet and Marquette Green and a  buffet dinner and light appetizers. Watch the Westminster website for updates.

May 17-19. Windows into Palestine: Encountering the Heart of a People through Art. This collaboration among Westminster; its partner congregation, Christmas Lutheran Church of Bethlehem, Palestine; Bright Stars of Bethlehem; and Bethlehem Lutheran Foundation will include an art exhibit, Choral and Instrumental Music, featuring the Georges Lammam Ensemble; Food Tastings and Cooking Demonstrations; Chef Showcase – featuring Chef Sameh Wadi of Minneapolis’ World Street Kitchen and Chef Bassem Hazboun from Bethlehem; and  Spice and Crafts Market. Most of these programs will be at Westminster. Check the festival’s website for more details: https://www.windowsintopalestine.org.

Conclusion

Welcome all to this beautiful new space and inspiring programs!

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[1] St. David’s Center at its Minnetonka campus offers an exceptional preschool, children’s mental health clinic and pediatric therapy clinic as well as day-treatment programs for children with autism and mental health diagnoses.

 

 

 

 

Martin Luther King, Jr. Sunday at Minneapolis’ Westminster Presbyterian Church

This year’s celebration of Martin Luther King, Jr. Sunday on January 14 was a very special occasion for Minneapolis’ Westminster Presbyterian Church.[1] We welcomed the pastors and members of our local partner congregations, Liberty Community Church and Grace-Trinity Community Church, to hear the sermon by Rev. Dr. J. Herbert Nelson, II , the highest official (Stated Clerk) of the Presbyterian Church (U.S.A.) denomination.[2] The Biblical passages for the day were 1 Samuel 3:1-10 and John 1: 43-51.

After the worship service, we explored the spaces in our new addition whose front exterior is shown in this photograph.

The following is a summary of this historic day by the church’s communications consultant, Kathy Graves, with the first photograph by Westminster member, Tom Northenscold, and the other two by Rev. Brennan Blue.[3]

The Worship Service

“A celebratory, soulful group of musicians from Westminster and its partner [congregations] welcomed people to worship. . . [followed by a reminder from] Tim Hart-Andersen, senior pastor at Westminster. . .: ‘Today is just the beginning. Many of us have worked long and hard to get to this moment, but our vision of a parking lot has grown into a vision for transforming our presence in the city. Our work is ahead of us.’”[4]

Alika Galloway, co-pastor of Liberty, Minnesota’s only primarily African-American PC(USA) congregation, shared the successes of her church’s 21st Century Academy, a rigorous after-school and summer academic program partially funded by [Westminster’s] Open Doors Open Futures. Daniel Vigilante, pastor of Grace-Trinity, described the support his congregation received from Westminster’s campaign. Five years ago, the congregation had expected to close because of dwindling numbers and resources when Westminster and Grace-Trinity formed a unique partnership. Today, Grace-Trinity is thriving and nearly self-supporting.”

“Rev. J. Herbert Nelson II [in the  photograph to the left] spoke [in his sermon] of the need to ‘get real about those being left behind.’ He urged the congregation to listen to what God is calling them to be, especially in the beautiful new spaces created by Open Doors Open Futures. “’Be consumed not with the love of this building but by a love of this community,’ he told worshippers. ‘Use this space wisely. You have much and have already used it for the glory of God. Take it and do a whole lot more. Let the world know you are standing firm.’”

“Worship concluded with [a call-and-response reading of the unique] “Litany for a New Day,” which offered these words [by everyone in the congregation]: ‘We hope this is where new life happens, where friendships are made and children are loved, where hands serve and prophetic voices are nurtured out of silence, where good news is proclaimed in a broken world and radical hospitality is our daily practice, where you, O God, are worshipped and another generation experiences resurrection.’”

The Reception

“Following worship, the congregation cut the ribbons’ on the expansion, which were actually handcrafted banners created by [Rev.] Beth Hart-Andersen from textiles donated by Westminster members and which were carried down the Trinity Staircase of the new space by Westminster youth as shown in the photograph to the right.

“Drummers [then] led a procession of nearly 1,100 people out into the new wing and down the four-story “Trinity Staircase” (and adjacent elevators) into the new 300-stall underground parking garage. Outside temperatures below zero led to a brisk and festive blessing of the garage.’

“As the youth group sang “Amazing Grace,’ they made their way back up to the first floor to inaugurate Westminster Hall with the premiere of composer Tom Trenney’s ‘I Will Make a Way,’ a setting of Isaiah 43:19, commissioned by Westminster for the occasion. Tesfa Wondemagegnehu, Westminster’s director of choral ministries, led the Westminster Choir in a performance that showed off the magnificent acoustics of the space as shown in this photograph.[5]

“’The new hall will allow the church to diversify its worship offerings as well as fulfill long-unmet needs for community meetings and congregational celebrations. ‘Westminster Hall is the heart of the new first floor expansion,’ said Hart-Andersen. ‘It will allow us to worship in a new key. The city is right here,’ he said, gesturing to a full-length wall of glass overlooking Westminster Plaza on Nicollet Mall. ‘We can see the city and it can see us.’”

“The hall comfortably accommodates up to 400 people. State-of-the art lighting and acoustics allow for a wide array of programming. Sunlight passes through a tree-like canopy overhead, speaking to passages in scripture that reference the power and symbolism of nature and life’s cycles.”

James Dayton, the lead architect, thanked the congregation for its steadfast support of the project. ‘My firm does this work every day, but you don’t,’ he said. ‘You had to learn a whole set of skills. And you did. This building makes manifest the faith of this congregation. Thank you for allowing us to be part of this.’”

“’Westminster is a church open to creative new ways to serve and engage the city,’ said Hart-Andersen. ‘This new wing gives us the tools to do that: easy access, multi-use space, enhanced technology, inspired green design, and much more.’” (A subsequent post will discuss how that new space will be used.)

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[1] The live stream of the service is on the church website, and the bulletin for the service should soon be there as well..

[2]  Rev. Nelson is the son, grandson, and nephew of Presbyterian pastors and the first African- American to lead the denomination, which has a 300-year history in the U.S. As Stated Clerk his duties include interpreting assembly actions, representing the church on various denominational and ecumenical councils, witnessing on behalf of the church to social justice

[3] Graves, Westminster Presbyterian Church opens doors on expansion to historic downtown Minneapolis building, Presbyterian Outlook (Jan. 19, 2018); Powell, Westminster Presbyterian to serve as a cornerstone of justice, Presbyterian Mission (Jan. 17, 2018).

[4] The musicians were Sam Reeves, Jr., pianist and Liberty Church’s  Minister of Music; Brian “Snowman” Powers, a Louisiana-bred saxophonist, composer and music producer; and Chris Koza, a singer-songwriter-guitarist and member of Grace-Trinity Community Church.

[5] The Westminster Choir also was joined by the church’s Global Choir (in which this blogger sings bass), and Youth Choir while the children’s Choristers danced for a performance of “Bonse Aba,” a beautiful traditional Zambian anthem, whose native language words translate in English as, “All that sing have the right to be called the children of God.

 

Langston Hughes’ Poem Sung at Minneapolis Westminster Church

On Martin L. King, Jr. Sunday (January 15) Cantus, a male vocal ensemble, sang ‘America Will Be!” as the Offertory Anthem at Minneapolis’ Westminster Presbyterian Church.

The text of the anthem was Langston Hughes’ powerful poem, “Let America Be America Again” with music by Paul J. Ridoi, composer and a tenor vocalist with Cantus.[1]

Afterwards I discovered the actual title of the poem, retrieved and read and re-read the words of the poem and conducted Internet research about the poem and Hughes and after reflection came to powerful conclusions about the poem.

Langston Hughes
Langston Hughes

First, Hughes (1902-1967), an African-American, was a poet, novelist and author and an important participant in the Harlem Renaissance in the 1920s. He flirted with communism, but never became a member of the Party, and as a result in the 1950’s was subpoenaed by a Senate committee led by Joseph McCarthy, which was portrayed in a play at Minneapolis’ Guthrie Theater.[2]

Second, the poem was written in 1935 in the midst of The Great Depression and originally published in the July 1936 issue of Esquire Magazine.

As another commentator said, the poem speaks of the American dream that never existed for blacks and lower-class Americans and the freedom and equality that they and every immigrant hoped for but never achieved. The poem besides criticizing their unfair life in America conveys a sense of hope or call to action to make the American Dream soon come.[3]

Third, the actual text of the poem is the following:

“Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed–
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this ‘homeland of the free.’)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek–
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean–
Hungry yet today despite the dream.
Beaten yet today–O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home–
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay–
Except the dream that’s almost dead today.

O, let America be America again–
The land that never has been yet–
And yet must be–the land where every man is free.
The land that’s mine–the poor man’s, Indian’s, Negro’s, ME–
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose–
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath–
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain–
All, all the stretch of these great green states–
And make America again!”

Fourth, the poem’s first three stanzas (minus the first three parenthetical statements) open with a common statement of the American Dream. But it soon becomes apparent the poet speaks for those who are left out of that Dream.

That certainly includes all members of his own race—blacks– who have been repressed and disadvantaged by the Great Depression: “American never was America to me . . . It never was America for me . . . There’s never been equality for me, Nor freedom in this ‘homeland of the free,’ . . . I am the Negro bearing slavery’s scars, . . . I am the Negro, servant to you all . . . And torn from Black Africa’s strand I came . . . The land that’s mine–… Negro’s, ME.”

But the poet also speaks for others who are similarly repressed and disadvantaged—(a) “I am the poor white, fooled and pushed apart;” (b) “I am the red man driven from the land;” (c) “I am the immigrant clutching the hope I seek;” (d) “I am the young man, full of strength and hope, Tangled in that endless chain Of profit, power, pain, of grab the Land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one’s own greed!” (e) I am the farmer, bondsman to the soil;” (f) “I am the worker sold to the machine.” (g) “I am the people, humble, hungry, mean—Hungry yet today despite the dream. Beaten yet today;” (h) “I am the man who never got ahead, The poorest worker bartered through the years;” (i) “I’m the one who left dark Ireland’s shore, And Poland’s plain, and England’s grassy lea;” (j) one of “the millions on relief today, the millions shot down when we strike, the millions who have nothing for our pay;” and (k) “the land That’s mine—the poor man’s, Indian’s.”

Yet all of these now repressed and disadvantaged people are the ones “who dreamt our basic dream . . . to build a ‘homeland of the free. . . who “made America.”

The poem’s opening lines by using the passive verb “let” suggests that the desired changes in America will just happen by some outside forces. The concluding lines of the poem, however, reject that interpretation and instead become a call to action by the repressed and disadvantaged: who “Must bring back our mighty dream again . . . We must take back our land again, America! . . . And yet I swear this oath—America will be! . . . We the people must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain—All, all the stretch of those great green states—And make America great again!”

I especially invite comments from those who have studied Hughes’ life and works more extensively than I have.

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[1] The bulletin for the service and a video recording of the service are online.

[2] Langston Hughes BiographyLangston Hughes, Wikipedia; U.S. Senator Joseph McCarthy Encounters Langston Hughes at Minneapolis’ Guthrie Theater, dwkcommentaries.com (May 13, 2012).

[3] Poem, Let America Be America Again, PoemHunter.com; Let America be America Again, Wikipedia. The title of this poem was used in a 2004 presidential campaign song by John Kerry, then a U.S. Senator. I will resist the temptation to wonder whether Donald Trump’s incessant campaign slogan “Make America Great Again” was drawn from this poem. I doubt it, and Hughes, I am confident, would be appalled at any such use of his words.