Darnella Frazier’s Continued Witnessing    

Darnella Frazier was the 17-year-old woman who had the wisdom and courage to use her smart phone to record the last 9:29 minutes of George Floyd’s life on May 25, 2020. That video was a key piece of evidence in the trial and conviction of Derek Chauvin this April for second and third-degree murder and second-degree manslaughter of Mr. Floyd. [1]

On the first anniversary of that horrible murder, Ms. Frazier continued her witnessing by making the following post on FACEBOOK:

Frazier’s Anniversary Statement [2]

“A year ago, today I witnessed a murder. The victim’s name was George Floyd. Although this wasn’t the first time, I’ve seen a black man get killed at the hands of the police, this is the first time I witnessed it happen in front of me. Right in front of my eyes, a few feet away. I didn’t know this man from a can of paint, but I knew his life mattered. I knew that he was in pain. I knew that he was another black man in danger with no power.’

“I was only 17 at the time, just a normal day for me walking my 9-year-old cousin to the corner store, not even prepared for what I was about to see, not even knowing my life was going to change on this exact day in those exact moments… it did. It changed me.”

“It changed how I viewed life. It made me realize how dangerous it is to be Black in America. We shouldn’t have to walk on eggshells around police officers, the same people that are supposed to protect and serve. We are looked at as thugs, animals, and criminals, all because of the color of our skin.”

“Why are Black people the only ones viewed this way when every race has some type of wrongdoing? None of us are to judge. We are all human.”

“I am 18 now and I still hold the weight and trauma of what I witnessed a year ago. It’s a little easier now, but I’m not who I used to be. A part of my childhood was taken from me. My 9-year-old cousin who witnessed the same thing I did got a part of her childhood taken from her. Having to up and leave because my home was no longer safe, waking up to reporters at my door, closing my eyes at night only to see a man who is brown like me, lifeless on the ground. I couldn’t sleep properly for weeks. I used to shake so bad at night my mom had to rock me to sleep. Hopping from hotel to hotel because we didn’t have a home and looking over our back every day in the process. Having panic and anxiety attacks every time I see a police car, not knowing who to trust because a lot of people are evil with bad intentions. I hold that weight.”

“A lot of people call me a hero even though I don’t see myself as one. I was just in the right place at the right time. Behind this smile, behind these awards, behind the publicity, I’m a girl trying to heal from something I am reminded of every day. Everyone talks about the girl who recorded George Floyd‘s death, but to actually be her is a different story.”

“Not only did this affect me, my family too. We all experienced change. My mom the most. I strive every day to be strong for her because she was strong for me when I couldn’t be strong for myself.”

“ Even though this was a traumatic life-changing experience for me, I’m proud of myself. If it weren’t for my video, the world wouldn’t have known the truth. I own that. My video didn’t save George Floyd, but it put his murderer away and off the streets. You can view George Floyd anyway you choose to view him, despite his past, because don’t we all have one? He was a loved one, someone’s son, someone’s father, someone’s brother, and someone’s friend.”

“We the people won’t take the blame, you won’t keep pointing fingers at us as if it’s our fault, as if we are criminals.”

“ I don’t think people understand how serious death is…that person is never coming back. These officers shouldn’t get to decide if someone gets to live or not. It’s time these officers start getting held accountable. Murdering people and abusing your power while doing it is not doing your job. It shouldn’t have to take people to actually go through something to understand it’s not ok. It’s called having a heart and understanding right from wrong.”

“George Floyd, I can’t express enough how I wish things could have went different, but I want you to know you will always be in my heart. I’ll always remember this day because of you. May your soul rest in peace. May you rest in the most beautiful roses. “

Conclusion [3]

Later that same day, Frazier’s anniversary essay was beautifully read on MSNBC by Caroline Randall Williams, an award-winning poet, young adult novelist and cookbook author. She is the Writer-in-Residence of Medicine, Health and Society at Vanderbilt University and the great granddaughter of Anna Bontemps, the African-American poet, novelist and noted member of the Harlem Renaissance, and the granddaughter of Avon Willima, a Nashville attorney and key leader of that city’s civil rights movement. Another ancestor is her great-great-grandfather: Edmund Pettus, U.S. Senator from Alabama, senior officer of the Confederate States Army and grand dragon of the Ku Klux Klan, for whom the infamous Edmund Pettus Bridge in Alabama is named. Williams  has said that“the black people I come from were owned and raped by the white people I come from.”

As Michelle Norris, a Washington Post columnist, Minnesota native and graduate of the University of Minnesota, stated, Frazier “was the witness George Floyd needed on May 25, 2020. She was the witness we all needed—the public, the police, a country still grappling with racial codes that are stitched into the fabric of our governing institutions. She is the hero of this story.”

Moreover, said Norris, Frazier’s “bravery is a reminder that we too must not look away, and not just in the most wicked moments of bias but also in the small things that grease the runway toward larger prejudice. We must not look away when we see the softer kind of oppression that masks itself in offhand comments, and jokes, and the denigration and dismissal of ‘those people.’

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[1] Witnessing, dwkcommentaries.com (April 25, 2021); Derek Chauvin Trial: Week Seven (CONVICTION), dwkcommentaries.com (April 21, 2021).

[2] Frazier, 1 year anniversary, FACEBOOK (May 25, 2021); Del Rio, Darnella Frazier, the teenager who recorded George Floyd’s murder, speaks out, N.Y. Times (May 25, 2021); Knowles, Teen speaks out a year after filming George Floyd’s death, saying her video’’put his murderer away,’ Wash. Post (May 25, 2021).

[3] Caroline Randall Williams reads Darnella Frazier’s statement on the anniversary of George Floyd ‘s murder, MSNBC (May 25, 2021); Caroline Randall Williams;

Caroline Randall Williams, Wikipedia.

 

 

James Weldon Johnson Poem Sung at Minneapolis’ Westminster Presbyterian Church

On Martin L. King, Jr. Sunday (January 15) the congregation sang the hymn, “Lift Every Voice and Sing,” at Minneapolis’ Westminster Presbyterian Church. [1] Here are five comments about this hymn.

James Weldon Johnson

First, the lyrics for this hymn were written by James Weldon Johnson (1871-1938), an African-American author, educator, lawyer, diplomat, songwriter, and civil rights activist, including serving as the executive secretary (1920-1930) of the National Association for the Advancement of Colored People (NAACP). He also was an active poet, novelist and anthologist of black culture’s poems and spirituals in the Harlem Renaissance.[2]

Second, these lyrics were written by Johnson as a poem for a celebration of Abraham Lincoln‘s birthday on February 12, 1900, at the segregated Stanton School in Jacksonville, Florida, where Johnson was its principal. The honored guest at the School that day was Booker T. Washington (1856-1915), a famous African- American educator, author, orator, and advisor to U.S. presidents.

John Rosamond Johnson

In 1905, the poem was set to music by Johnson’s brother, John Rosamond Johnson (1873–1954), an African-American composer and singer, later prominent in the Harlem Renaissance. The song became widely popular and known as the “Negro National Anthem,” a title that the NAACP adopted and promoted.[3]

Third, here are the actual lyrics:[4]

“1 Lift every voice and sing till earth and heaven ring,

ring with the harmonies of liberty;

let our rejoicing rise high as the listening skies,

let it resound loud as the rolling sea.

Sing a song full of the faith that the dark past has taught us,

sing a song full of the hope that the present has brought us;

facing the rising sun of our new day begun,

let us march on till victory is won.

2 Stony the road we trod, bitter the chastening rod,

felt in the days when hope unborn had died;

yet with a steady beat, have not our weary feet

come to the place for which our people sighed?

We have come over a way that with tears has been watered;

we have come, treading our path through the blood of the slaughtered,

out from the gloomy past, till now we stand at last

where the white gleam of our bright star is cast.

3 God of our weary years, God of our silent tears,

thou who hast brought us thus far on the way;

thou who hast, by thy might, led us into the light,

keep us forever in the path, we pray.

Lest our feet stray from the places, our God, where we met thee,

lest, our hearts drunk with the wine of the world, we forget thee;

shadowed beneath thy hand, may we forever stand,

true to our God, true to our native land.”

Fourth, the hymn’s words and music of the first verse are joyous and hopeful: “Lift every voice and sing till earth and heaven ring, ring with the harmonies of liberty.” The third verse returns to this joyous and hopeful theme.

At the same time, however, there is an undercurrent of pain drawn from the African-American experience. “The dark past” appears without elaboration in the first verse while the third verse talks about “God of our weary years, God of our silent tears.” The second verse provides some of those painful details: “Stony the road we trod, bitter the chastening rod, felt in the days when hope unborn had died. . . over a way that with tears has been watered; we have come, treading our path through the blood of the slaughtered . . . from the gloomy past.”

Fifth, I give thanks for the inclusion of this hymn in the worship service on Martin L. King, Jr. Sunday at Westminster. I also give thanks for the witness of James Weldon and John Rosamond Johnson and my taking the time to re-read the lyrics, to do the research reflected in this post and to reflect on the meaning of those lyrics.

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[1] The bulletin for the service and a video recording of the service are online.

[2] James Weldon Johnson, Wikipedia.

[3] Lift Every Voice and Sing, Wikipedia; Stanton College Preparatory School, Wikipedia; Booker T. Washington, Wikipedia; J. Rosamond Johnson, Wikipedia.

[4] Lyrics, “Lift Every Voice and Sing,” Hymnary.org.

Langston Hughes’ Poem Sung at Minneapolis Westminster Church

On Martin L. King, Jr. Sunday (January 15) Cantus, a male vocal ensemble, sang ‘America Will Be!” as the Offertory Anthem at Minneapolis’ Westminster Presbyterian Church.

The text of the anthem was Langston Hughes’ powerful poem, “Let America Be America Again” with music by Paul J. Ridoi, composer and a tenor vocalist with Cantus.[1]

Afterwards I discovered the actual title of the poem, retrieved and read and re-read the words of the poem and conducted Internet research about the poem and Hughes and after reflection came to powerful conclusions about the poem.

Langston Hughes

First, Hughes (1902-1967), an African-American, was a poet, novelist and author and an important participant in the Harlem Renaissance in the 1920s. He flirted with communism, but never became a member of the Party, and as a result in the 1950’s was subpoenaed by a Senate committee led by Joseph McCarthy, which was portrayed in a play at Minneapolis’ Guthrie Theater.[2]

Second, the poem was written in 1935 in the midst of The Great Depression and originally published in the July 1936 issue of Esquire Magazine.

As another commentator said, the poem speaks of the American dream that never existed for blacks and lower-class Americans and the freedom and equality that they and every immigrant hoped for but never achieved. The poem besides criticizing their unfair life in America conveys a sense of hope or call to action to make the American Dream soon come.[3]

Third, the actual text of the poem is the following:

“Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed–
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this ‘homeland of the free.’)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek–
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean–
Hungry yet today despite the dream.
Beaten yet today–O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home–
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay–
Except the dream that’s almost dead today.

O, let America be America again–
The land that never has been yet–
And yet must be–the land where every man is free.
The land that’s mine–the poor man’s, Indian’s, Negro’s, ME–
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose–
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath–
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain–
All, all the stretch of these great green states–
And make America again!”

Fourth, the poem’s first three stanzas (minus the first three parenthetical statements) open with a common statement of the American Dream. But it soon becomes apparent the poet speaks for those who are left out of that Dream.

That certainly includes all members of his own race—blacks– who have been repressed and disadvantaged by the Great Depression: “American never was America to me . . . It never was America for me . . . There’s never been equality for me, Nor freedom in this ‘homeland of the free,’ . . . I am the Negro bearing slavery’s scars, . . . I am the Negro, servant to you all . . . And torn from Black Africa’s strand I came . . . The land that’s mine–… Negro’s, ME.”

But the poet also speaks for others who are similarly repressed and disadvantaged—(a) “I am the poor white, fooled and pushed apart;” (b) “I am the red man driven from the land;” (c) “I am the immigrant clutching the hope I seek;” (d) “I am the young man, full of strength and hope, Tangled in that endless chain Of profit, power, pain, of grab the Land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one’s own greed!” (e) I am the farmer, bondsman to the soil;” (f) “I am the worker sold to the machine.” (g) “I am the people, humble, hungry, mean—Hungry yet today despite the dream. Beaten yet today;” (h) “I am the man who never got ahead, The poorest worker bartered through the years;” (i) “I’m the one who left dark Ireland’s shore, And Poland’s plain, and England’s grassy lea;” (j) one of “the millions on relief today, the millions shot down when we strike, the millions who have nothing for our pay;” and (k) “the land That’s mine—the poor man’s, Indian’s.”

Yet all of these now repressed and disadvantaged people are the ones “who dreamt our basic dream . . . to build a ‘homeland of the free. . . who “made America.”

The poem’s opening lines by using the passive verb “let” suggests that the desired changes in America will just happen by some outside forces. The concluding lines of the poem, however, reject that interpretation and instead become a call to action by the repressed and disadvantaged: who “Must bring back our mighty dream again . . . We must take back our land again, America! . . . And yet I swear this oath—America will be! . . . We the people must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain—All, all the stretch of those great green states—And make America great again!”

I especially invite comments from those who have studied Hughes’ life and works more extensively than I have.

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[1] The bulletin for the service and a video recording of the service are online.

[2] Langston Hughes BiographyLangston Hughes, Wikipedia; U.S. Senator Joseph McCarthy Encounters Langston Hughes at Minneapolis’ Guthrie Theater, dwkcommentaries.com (May 13, 2012).

[3] Poem, Let America Be America Again, PoemHunter.com; Let America be America Again, Wikipedia. The title of this poem was used in a 2004 presidential campaign song by John Kerry, then a U.S. Senator. I will resist the temptation to wonder whether Donald Trump’s incessant campaign slogan “Make America Great Again” was drawn from this poem. I doubt it, and Hughes, I am confident, would be appalled at any such use of his words.